What are the changes you have seen in the
Industry, technically and culturally?
Technically, there are a lot of changes; there are a lot of improvements.
But culturally, there does not seem to be much of a change. The
society is changing, and this change is getting reflected in Cinema.
It's a gradual shift; there is no sudden jump over. As the times
are changing, so is Cinema. The change is probably because of the
increased exposure to international cinema. Even when it comes to
Television, we are exposed to so many channels from all over the
world. So the change is not really jarring. Leave alone cinema and
television, even if you go down South, children there, know about
the Internet. There is so much information available through all
these media, that everybody is aware of what's happening all over
the place.
What do you think is cinema's responsibility
towards the society?
We
do have a certain amount of responsibility towards the Society.
Since it is a very powerful medium, we have to look at it from the
Society's angle. But all said and done, Cinema is meant for entertainment.
Movies should come with a message but you cannot compel everyone
to make movies only with messages, because finally it is a business.
You have to look at it from the society's point of view. I would
say, it should be a mix of both entertainment and didactism. If
you look at my first movie -Paneer Pushpangal, is about adolescent
love. What I have tried to highlight in this movie is that, most
adolescents tend to get attracted to the opposite sex, but how you
deal with it makes all the difference. If parents get too hyper
about it and apply strict methods, most adolescents become even
more rebellious. The way this subject is dealt with in this movie,
is like, 'getting attracted to the opposite sex at this age is
natural, but you also have to think about your future'. In other
words, you have look at the practical aspects as well. It's out
and out entertainment, but in the end, it comes with this particular
message.
If you see Cheran's, movies, in Porkalam, he talks
about problems faced by the physically handicapped, in Vetri
Kodi Kattu, he has dealt with the effects of westernisation.
It is good to see such movies. One of Bharatiraja's movies
deals with, female infanticide. We have to make movies with messages,
but end of the day, it is not a documentary or an educational tool
that we are making. Making a movie requires huge investments and
we need people to come in and watch the movies in the theatres to
get our returns.
But basically, I like to make movies that come with messages. For
example, Mahanadi's theme was drawn from the frauds committed by
chit funds. Within one year of the movie's release, a number of
chit funds closed shop and disappeared.
But a lot of people felt that the treatment
was too harsh; it disturbed a lot of people...
But
that is the truth, you have to accept it. Yes, lots of people said
Mahanadi was disturbing and so was Guna. But certain issues have
to be dealt with strongly, to bring out the seriousness of the subject.
The seriousness of the subject comes through only if you give a
powerful treatment. You cannot use comedy to deal with these issues.
You cannot possibly use the same treatment as in Panner Pushpangal
for these movies, because it will be like, neither here nor there,
totally half-baked.
Even in comedy, only slapstick is popular. Subtlety or dialogue-oriented
comedy is not something everybody understands and appreciates. Probably
the educated class does; but not the masses. If it is a comedy you
should laugh then and there, and when it comes to that, slapstick
seems to work better with the masses.
How evolved is comedy as a genre in Tamil
Cinema?
As far as I know, the best comedians in India have come from Tamil
Cinema. Not even Malayalam, Telugu or Kannada... Whether
it is slapstick or dialogue oriented comedy, it's been very powerful
only here.
Some time back big screen actors and actresses
would not touch Television even with a barge pole. But that
trend is changing now, what is the reason for this?
In the beginning, people did not really understand the potential
of Television. Nobody expected it to evolve and grow in such
a manner. As people understood its reach, they became more
open to it. If I act in a Television serial today, there is
scope for the whole world to watch me, because all these channels
are aired in so many countries. Earlier on, the exposure was
limited to India, now artists working in the Television media are
getting International exposure. And all said and done, it
is also an entertainment media, it is not something different from
what we were already doing. Just as cinema evolved from street
theatre, television is just an offshoot of cinema. So the
only difference is the big screen and the small screen.
Do you think the popularity of television
will drive people away from the theatres?
Cinema
has its own charm. Certain movies you can enjoy only in the theatre.
For example, a movie like Titanic can be enjoyed only in
the theatre, only then you can understand its depth and breadth.
Benhur will look very ordinary on television. You cannot
say that television's popularity will overshadow Cinema, because
even Television depends on Cinema for most of its programmes.
If you look at the various channels, the most popular programmes
are based on Cinema. And in good serials, you can only find
the big screen actors or actresses. Why do they take Banupriya?
Because people already know her, so people like to watch those
serials. If it is someone nobody knows, the viewers attention span
will be limited and they will promptly switch channels. In
fact, Television has helped many people from the big screen.
In the last two years, there has been a slug in the production of
Tamil cinema. So television became an alternative for a lot
of people from the Cinema field.
What are the strengths and weaknesses of Tamil
Cinema?
As far as strengths are concerned we have the best directors, best
technicians and actors in this industry. Our actors, musicians,
directors, technicians are among the best in the country.
We lack in finance and exposure. Otherwise we can rise to
international standards. Finance is a major draw back; our
budgets do not allow the kind of quality that is seen in Hollywood
movies.
After twenty-five years do you have a sense
of achievement or is there something you still want to do?
I feel, I need to accomplish more. I have gained the name that
I am a good director, I want to continue that. Since it's
a bit dull on the cinema front, I have got into acting; I need to
establish myself as an actor as well. Even now, direction is my
first love, I plan to get back to directing movies again next year.
If you feel you have achieved everything you will not have the drive
to do anything more. So dissatisfaction should always be there,
to drive you further to achieve more.