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SOUNDS OF PEACE
The
Sounds of Peace concert, presented by RAY (Relief and
You) Trust, was a runaway success. You could not have expected
less with a concert by two maestros, Pandit Shivkumar Sharma
and Ustad Zakir Hussain. A dance performance by Actress
Shobana, with a group of dancers from Kalarpana, added
colour to the whole show.
The show began with a multi-disciplinary dance extravaganza that
consisted of various styles such as Bharatanatyam, Kathak, Break
Dance and Folk Dance.
A traditional invocatory piece, called Mallari, in
Ragam Gambhira Nattai, was the first piece, performed
by Shobana and her dancers. Unfortunately, their costume and jewellery
were dull and drab. They were ensembles in cotton, with blouses
that lent a filmy touch to their whole appearance.
A group of little girls though, who were also
part of the troupe, were brightly dressed in green and purple Bharatanatyam
costumes. These young dancers performed their part well. Their entries
and exits were seamless and very professional.
The
next item was a Nritta (Rhythm) item. It was performed
only with instrumental and percussion support. Shobana and her troupe
of ten dancers performed the dance. The girls had a good sense of
rhythm. They made use of space, weaving interesting patterns across
the stage, though one felt the sychronisation between them could
have been better. Also the frequent use of spotlight on Shobana
was distracting. The dance on the whole was interesting - a good
creative effort that made no pretensions.
The second part of the programme was the much-awaited performance
of Pandit Shiv Kumar Sharma on the Santoor and Ustad Zakir Hussain
on the Tabla. Pandit Sharma chose the Raga Jhinjhoti for
the evening. During the alaap itself, he fascinated all with his
mastery over the instrument. The sparkling cluster of notes he struck
on the Santoor, the way he wove the notes into a rythmic framework
was truly enthralling. The meend (gradual gliding
between two musical notes) at the lower octaves drew loud applause.
Zakir
Hussain, true to his reputation of being a genius tabla player,
displayed the uncanny ablity to make the tabla talk. The resonant
sound that came from the drums through his magical fingers and the
amazing speed at which he played certain sequences were phenomenal.
He drew repeated applause from the spellbound audience. Both artistes
got involved in an engrossing session of musical interplay.
The housefull attendance at the massive Kamaraj Arangham, reflected
the immense popularity that Hindustani music has in the Carnatic
music bastion of Chennai. The Trust which organized the event (RAY)
was founded by Vidya Singh, and provides financial support
to the Annai Special School run by the Karunai Trust.
Author : Janaki Subramaniam
Photographs : Leslee Lazar |
BLUES NIGHT AT THE VINEYARD CENTRE
Be
it a broken heart or just plain boredom, Blues is the music
to wipe away those blues. So blues it was on the night of
9th February at the Vineyard Centre. A relaxed night of soothing
blues performed by Octave, a collection of Chennai's veteran
musicians. Being in the local music scene for a long time and associated
with many popular bands like Nemesis Avenue and
The 11th Commandment, the members gelled excellently
and produced some wonderful covers.
Some
of the famous names covered were JJ Cale, BB King, The Doors
and John Coltrane. But the crowd 'connected' most with
"Still got the blues" by Gary Moore.
With Karthik on the Saxophone and the metal flute, the
band was at its best in the performance of several instrumental
numbers.
To finish off the show, they played a hit number from the first
ever boy band...The Beatles, (probably to rouse the crowd
with some Rock N Roll, after the night of Blues). And the crowd
responded with energy. Octave finished off with "Its been
a hard day's night", (may be just hinting that they had
to go home early).
Certainly, a good live performance can just beat the blues away,
after a hard day. That's what the Vineyard Centre does with its
regular music events. And Chennai definitely needs more nights like
this.
| Text & Photographs : Leslee Lazar |
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