The Number One Website for Chennai City. Saturday, February 11, 2012  |  1:57:59 PM
BangaloreMumbaiNew Delhi | Goa | Hyderabad | Pune | Jaipur | Cochin | Coimbatore | Kolkata | Ahmedabad
Search       
Home Sightseeing Hotels Eatouts & Pubs Photo Features Panorama 360° Virtual City Learn Tamil Art & Culture Yellow Pages




Wonders Of Bangalore best top silk sarees chennai

Home > Discover Chennai > Art & Culture > Music > Interview

KADRI GOPALNATH - 'SAXOPHONE CHAKRAVATHY'

How receptive are audiences abroad?

There is a great deal of awareness, particularly among Indians abroad, about Carnatic music. Their knowledge of Carnatic music is tremendous. The foreigners too are awestruck by the fact that a western instrument has so beautifully been adapted to suit the needs of Carnatic music. During my visits abroad, I give many lecture demonstrations and I find that the curiosity, the interest, to know more about how and what I play on the instrument, is simply amazing.

Kadri GopalnathWhat do you think are the reasons for the increasing popularity of Indian classical music abroad?

One reason for the popularity could be because, foreigners who learn our music, realize that there is tremendous scope for improvisation and creativity. Western music does not allow you so much creativity. Another reason I feel is that most of the popular numbers in western music are fast paced, where as Indian music is more soothing to the ears.

What about popularity of Carnatic music here in India?

Youngsters here are crazy about anything western. But gradually, I feel the scenario is changing, due to media publicity. I see quite a few youngsters attending kutcheris (concerts). There are young upcoming musicians like Sanjay Subramaniam, Unnikrishnan etc who are doing very well. There are many Sabhas (cultural organisations) propagating Carnatic music. Sponsorship is also forthcoming. Carnatic musicians these days are financially much better off than they were in the olden days.

Could you tell us your experiences as a fusion artiste?

Playing fusion is a very different kind of experience. I feel if you are well-versed in Carnatic music, then you can play with any other musician in the world. Such is the depth of our music. Western music has close to sixty Carnatic ragas. The only difference lies in the way they play it on their instrument. Both Indian as well as Western music have the basic seven notes. It is truly amazing. This shows that music is universal.

Your plans for the future?

I have succeeded in bringing recognition to the Saxophone as an instrument in the field of Carnatic music. I have seen to it that the Saxophone also gets equal share and respect in all the existing music sabhas. Now my plan is to support, encourage and pave way to young upcoming Saxophone artistes.

Author :  Janaki Subramaniam
Photographs : Leslee Lazar


Back | Top


INTERVIEWS
  Rukma Jayaram
  Bombay Sisters
  Sikkil Sisters
  Paul Jacob
  Unni Krishnan
  Vikku Vinayakaram
  Mandolin U Srinivas
  T T Vasu
  R Vedavalli
  G Sridhar
  Anoushka Shankar
  A Kanyakumari
  Sudha Raghunathan
  Nityasree Mahadevan
  Kadri Gopalnath
  Ravi Kiran
  Sowmya
  V A K Ranga Rao
  Kunnakudi Vaidyanathan
  Music Events
  Music Stores
  Music Groups
  Music Personalities
  Musical Instrument Shops
  Music Institutions
  Music Features
  Album Reviews
  Art
  Dance
  Theatre
  Cultural Centres
  Concert Halls & Sabhas

track internet traffic