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ANOUSHKA
SHANKAR
Anoushka Shankar, the daughter of Sitar virtuoso Ravi
Shankar, made her professional debut in 1995, at the age of
13. She has performed along her father at major concert halls across
the world. This obvious successor to Ravi Shankar's legacy, admits
that though she has been to Chennai many times, (as her mother hails
from Chennai), she has never performed here. She is also an accomplished
pianist.
A born celebrity, she handles the media with aplomb. Chennaibest.com
speaks to Anoushka Shankar, on the eve of her first ever performance
at Chennai.
Experience as a debutant in New Delhi, 1995
It
was a very nice experience, because it was my fathers 75th
birthday. All of my fathers students and a few other musicians
performed that day. Somewhere in the middle of the performance,
I got to play a 15-minute solo. I was very excited. Even though
it was all fun, I was very nervous.
On taking up the Sitar as her instrument
It happened gradually. Even though there was no pressure as such
to take it up, it just happened naturally. I started learning at
the age of about 8.
Ravi Shankar as teacher
As a father he is so affectionate and doting. He is so caring and
gentle. Basically, he is that way with everyone. As a teacher he
is patient and understanding.
Playing in concert along with Ravi Shankar
Its
incredible. On the one hand, I get to be with him, watch him perform
and at the same time perform with him. On the other, he is there
watching me perform and he is so proud about it.
Fathers influence stylistically
Very much. It is basically his style. Its not exactly the same,
because its me, not him. But my style and even when I improvise,
the type of improvisation that I do, is completely in his style.
Working with Zubin Mehta, Rostropovitch and
Jean Pierre Rampal
It was incredible. I have grown up calling them 'Uncle' and it
was great to work with them.
Comparing music making on the Piano and the
Sitar
Oh! They are so different. The piano is more of a personal experience
for me,because its only for me. I rarely perform. And playing the
sitar is so much more interactive. You improvise all the time and
it involves more of your memory.
Carnatic music
My
mother is from this place and my initial training was in Carnatic
music. Though I didnt go very far with it, I grew up listening
to M S Subbulakshmi.
Commonalities between Hindustani and Carnatic
music
They are very exciting, technical and pleasing to the casual ear.
Both the styles are spiritual and I dont think there is any
other music that can compare with these.
The danger of burnout, with young talent exposed
too early
I can possibly speak only from my own experience. In Hindustani
music, the current pack is really the children of famous musicians.
But I dont see the problem of a burnout, because my parents
did not really put too much pressure on me. My experience has been
very well rounded. Even though I have been on tour, I havent
really felt any pressure.
Awareness and appreciation of Indian Classical
Music today
No.
Actually there are a few places where there is awareness. For example,
when you go to UK or the USA, people are aware of Indian classical
music. My father has done his bit in promoting classical music.
But still, in some parts of the world, there is this image of the
exotic India with the flying carpets, and thats about it.
My generation is still not really much into classical music. So
we still need to do something in this area.
Most memorable performance
Oh! There are so many. My first performance
, with Jean
Pierre
, and recently at one concert there were so many
other artists. Madonna was there, Bryan Adams was
there. It really felt nice to be part of that group. That was memorable.
- Anuradha Sriraman
Photographs : V Ganesan |
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