AN INTERVIEW WITH SANGITHA KALANIDHI - R VEDAVALLI

About research in Carnatic music...

There are two different opinions on this. There are a sizeable number who argue that there is no need for research in Carnatic Music. Research should be in tune with practical considerations. Not anything and everything can be researched upon.

I have varied interests. I have done in depth studies on Muthuswamy Dikshitar. His handling of ragas, approach to the language (Sanskrit) and his compositions. I am inclined towards the dying arts and traditions. I did a research project in Mallari, a form of temple music played on theNadaswaram. Similarly, as part of the lecture demonstrations at the Krishna Gana Sabha, I worked on Konnukol, a jathi which is orally narrated. Just as it is played on the Mridangam. I brought out new findings in those four years.

Our sangeetham (music) itself is Manodharmam (innovation). Ragam (tune), neraval,(words which often change for the same beat)swara kalpanam (combination of the notes) everything is Manodharmam. Pallavi( includes a mix of all these). In those days when compositions were few, Pallavi's were sung in great numbers, especially by those who had a good grip over laya (rhythm). Only when one has a good grip over Ragam, Taanam(beat) and Neraval can one sing Pallavi. A vocalist can possibly sing Taanam only in Pallavai. Only in Pallavi can you possibly have all types of Manodharamam.

One thing is that no one has the patience to listen to Pallavi renditions for one and half hours. This is the major reason for its decline. Secondly, the time slot for the Kutcheris is two and half-hours. Earlier it was for nearly four hours. That is also a major reason for its decline. But with a good grip over laya and without much jugglery, Pallavi can still be melodious and sweet.

He (Mudicondan C. Venkatrama Iyer) was not only a teacher, but also a great Vidwan. Both my gurus did not know how to make use of their immense knowledge on their own. What I have achieved in various fields is only because of them.

Your favourite raga?

For me, sangeetham (music) itself is a favourite.

One needs to give 100% dedication to it. Music cannot be secondary. Devote your life to it. That is the secret of success.

Yet to come.

Everyone should come and enjoy all the kuthcheris. That is my message.

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